TOY STORIES (OBSERVER MAGAZINE) | Katie Treggiden Skip to content


This article was written 6 years ago.

. ‘You’ve done a really great job on this, with a lovely light touch that captures the sense of fun of the owners and their home,’ said homes editor Joanne O’Connor. ‘Thank you so much for turning it around so quickly.’


Ask graphic designer Eduardo Lima and costume designer Mauricio Carneiro to tell you why they moved to their two-bedroomed 1970s flat in north London and they’ll probably tell you about Eduardo’s Goddaughter who lives nearby, or how much they liked the green spaces of the communal gardens and nearby Parkland Walk, but that’s only half the story. Press a little harder, and you’ll find out that the truth has more to do with a small plastic toy created by Hans Beck in 1974. ‘We have a collection of over 2,000 Playmobil figures, kept from our childhoods and added to ever since,’ confesses Eduardo. ‘One of the best things about moving into this apartment was unpacking them all. We’ve never had the space to display them before – and they make me smile every time I walk past them. I sometimes imagine them having little parties while we’re out.’


The pair met at a fashion show in Brazil and bumped into each other again at a bar a week later. When Eduardo told Mauricio that he was returning to London, Mauricio’s reply was simple, but momentous: ‘May I come with you?’ 18 years later, the rest is history – they’ve been together ever since and a wedding in 2007 made it official. ‘He is my soulmate – my everything,’ says Eduardo, who co-runs MinaLima, the graphic design agency behind all the props for the Harry Potter and Fantastic Beasts films as well as the wider ‘Wizarding World’ franchise. Luckily a 20-minute conversation about colour – orange and green in particular – on that fateful first date and a shared love of Playmobil meant that they were on the same page when it came to decorating the apartment they bought in 2004.

They started by creating a white backdrop for their colourful collections. ‘The previous owner had painted everything mustard yellow – even the ceilings,’ says Eduardo. ‘We almost wrote it off as too small and too yellow, so I’m glad we saw its potential – even if it did take three coats of paint.’ Once they’d finished decorating, they set about unpacking the Playmobil figures, displaying them by type in a vintage glass-fronted cabinet. ‘They are arranged in groups – policemen with policemen, pirates with pirates – to stop it from feeling too cluttered,’ explains Eduardo. ‘There is an element of curation, but not too much.’ As well as Playmobil, the pair also collects vintage typographic letters ‘E’ and ‘M’ – an assemblage which started with the light-up green ‘E’ perched on the arm of the sofa that Mauricio bought for Eduardo. ‘Now he gets really upset that there just seem to be more ‘E’s in the world than ‘M’s’, laughs Eduardo.


Other collections include the religious iconography typical of Brazil displayed against a bright green (Eduardo’s favourite colour) wall in the hall, the Disney merchandise in the master bedroom, the tin toys that line the dining room mirror, and books – lots of books. ‘The main thing we collect is books – we just have so many,’ says Eduardo. ‘There’s an amazing Oxfam book shop local to us, and we seem to come home with another five or 10 every weekend.’ The couple invested in the 606 Universal Shelving System by Vitsœ for their library when they moved into this flat. ‘Vitsœ is life-changing. It hasn’t moved a millimetre since we had it installed. They used little envelopes to catch the dust when they installed it – and if we ever relocate, they’ll take it down and reassemble it for us in the new place.’

Collections taken care of, they waited a little longer for furniture, sitting on folded duvets and cushions Mauricio made from typical Brazilian fabric for almost two years before settling on the Bo Concept sofa that fits so perfectly into their lounge area, alongside a collection of house plants that create a link with their cherished greenery outside. ‘Brazilians do love their plants,’ laughs Eduardo. The flat is arranged around an open living-dining area, with a small kitchen, two bedrooms and a bathroom off the L-shaped corridor that connects it to the front door. The 1960s teak dining table and Formica chairs are exact replicas of the ones both Eduardo and Mauricio grew up with. ‘My Mum hated them so much, she eventually threw hers away,’ laughs Eduardo. ‘They’re really expensive now – we managed to find ours about six years ago, but they’re almost impossible to get hold of.’ The wallpaper behind the table is Orla Kiely for Habitat and the Eames RAR rocking chair was a wedding gift. The mid-century aesthetic, the Brazilian-inspired cacophony of colour and pattern, and the nostalgic collections are all part of creating a home from home. ‘I’ve been in London for over 20 years, so I feel very comfortable here,’ says Eduardo. ‘I miss the people and the food more than the country itself, but I think that’s because we’ve created a little corner of Brazil in our apartment. It’s the same if you visit any of our Brazilian friends, it’s like walking into an apartment in Rio.’


You can read this article online here. Photography by Bruce Hemming

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Katie Treggiden is also the founder and director of Making Design Circular — an international membership community and online learning platform for environmentally conscious designers, makers, artists and craftspeople.
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